After a brief, desaturated recap of the first film’s timeline, the orange, browns, and greens of Ip Man’s (Donnie Yen) new, student-less (and penniless) studio flood the frame, as if to signal the comparative warmth of the content to follow. Picking up roughly a decade after the bleak if preposterous Pacific War milieu of Ip Man, director Wilson Yip’s sequel follows the titular Wing Chun master as he attempts to set up shop anew amid the ever-splintering martial arts traditions of British-occupied Hong Kong.
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